" According to film historian Emanuel Levy, Wayne and Hawks teamed up deliberately to rebut High Noon by telling a somewhat similar story their own way: portraying a hero who does not show fear or inner conflict and who never repudiates his commitment to public duty, while only allying himself with capable people, despite offers of help from many other characters. My Rifle, My Pony And Me (Version 4) From Rio Bravo 1959 Dean Martin and Ricky Nelson [A'capella] The sun is sinking in the west The cattle go down to the stream The redwing settles in their nest It's time for a cowboy to dream [Verse 1] C F C F Purple light in the canyon, that's where I long to be C F C F With my three good companions, just my rifle, pony and me. After spending four seconds on Joe, Hawks then cuts back to Dude for two seconds, who, again, rubs his hand on his face, and then back to Joe for two more seconds, who pours himself a drink and notices Dude staring at him. Rio Bravo finds director Howard Hawks -- and his stellar ensemble cast -- working at peak performance, and the end result is a towering classic of the Western genre. It is well known that Rio Bravo is, in part, a response to High Noon (1952). A brief clip from Rio Bravo was among the archive footage later incorporated into the opening sequence of Wayne's last film, The Shootist, to illustrate the backstory of Wayne's character. In that sweaty, dirty face, the camera sees a timid man, one who is alone and in need of, on the surface, a drink, but actually, a friend. Dude and Chance go to the hotel so Dude can take a bath, but Burdette's men have captured Carlos' wife Consuelo and use her to lure them into a trap. For the next thirty-three seconds, the camera, in front of Dude, pans and follows him as he makes his way into the bar. (Choir: Rio Bravo, humming) By the river Rio Bravo I walk all alone And I wonder as I wander by the river Where my love has flown. In Rio Bravo, you have Walter Brennan coming into his own as a western icon; John Wayne answering the call to serve the townpeople who elected him, in effect throwing down the gauntlet to High Noon.  Filming took place in the summer of 1958, and the movie's credits gave 1958 for the copyright; the film was released in March 1959. After Feathers secretly stays up all night with a shotgun to guard him, a frustrated Chance orders Feathers to leave town for her safety, but she refuses, and the two begin to bond. How Wayne is first revealed is reminiscent of his introduction in John Ford’s Stagecoach (1939) in its striking emphasis on his face. He clenches and unclenches his hands and moves them from the tips of his pants pockets to his face, twice. In 2014, Rio Bravo was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in the National Film Registry.. Chance constantly refuses to accept help until he has absolutely no other alternatives. As is true for most of this three minutes and fifty-seven seconds-long, thirty-eight shot opening sequence, there is no dialogue, only the soft chatter of the saloon’s clientele and gentle music playing in the background. Most of the film was shot on location in Gallup, NM and at Death Valley National Monument, CA. Instead, the film focuses on its main characters, and how they bring out the best, and worst, in one another. ", In the United Kingdom, Rio Bravo was not originally even reviewed for Sight & Sound; Leslie Halliwell gave the film two out of four stars in his Film Guide, describing it as a "cheerfully overlong and slow-moving Western" that was nevertheless "very watchable for those with time to spare". When Burdette's men lay siege to his jailhouse, Chance holds on until the arrival of a U.S. The story was credited to "B.H. Marshal about 60 minutes into the film. Members of the Western Writers of America chose "My Rifle, My Pony, and Me" as one of the Top 100 Western songs of all time. Stumpy, having old grudges with Nathan, threatens to shoot Joe if any trouble starts around the jail. Joe starts to beat up Dude for fun, shooting and killing an unarmed bystander who attempts to stop him. … ... By the memory of her song While the river Rio Bravo flows along (Rio Bravo, Rio Bravo) The musical score was composed by Dimitri Tiomkin. However, as he knew, Stumpy simply opens fire. 1. By entering a bar and aiding Chance and arresting Joe, instead of hitting Chance and fighting Joe, Dude begins to make good on his redemptive mission to become a sheriff’s deputy again and leave alcohol in the rearview mirror. With the desperate Dude standing in the middle of the bar, looking for a lifeline, Hawks then cuts to the villain: Joe Burdette (Claude Akins). 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